16 Brittain Fellows Write About the Archives They Love

Archives, research libraries, and special collections are the crucial spaces where study begins. While public and school libraries hold a space in the popular imagination as a catalyzing site of intellectual curiosity—as seen in the recent piece “12 Authors Write about the Libraries They Love” in The New York Times—archives are… Continue reading

Things To Do in Wivenhoe; Or, So Going Around “The Basketball Diaries”: A New York School Travelogue

“Wake up high up / frame bent & turned on,” begins Ted Berrigan’s iconic “Things to Do in New York (City),” a lyric list poem that shows Berrigan moving through the literary landscape of the city in timeless style. Berrigan was fond of this genre, also writing poems like “Things… Continue reading

Teaching in All Seasons: Poetics, Ideal Tendencies, and Food Literacy

SUMMER   “Once I remember looking into the freezer can the next morning and finding the leftover ice cream had all returned to milk. It was like the disappearance of Cinderella’s new clothes.” (Lewis 53) Midway through my Spring composition course, “Food Literacy of Atlanta,” my students and I had… Continue reading

Sonnets @ Tech: The Pedagogy of Writing as Making

When modernist poet William Carlos Williams antagonistically announced, “To me all sonnets say the same thing of no importance. What does it matter what the line ‘says’?”, I wonder whether or not he’d approve of poet and punk rock singer Matt Hart playfully directing students to arrange and rearrange pieces… Continue reading

Flash Readings, Episode 6: “Colson Whitehead Will Break You, Too”

In Flash Reading 6, Brittain Fellow Matt Dischinger analyzes a scene from the South Carolina chapter of The Underground Railroad, Colson Whitehead’s prize-winning novel set in the antebellum United States. In this scene, the protagonist, named Cora, gives the “evil eye” to a former charge, Maisie, who doesn’t recognize her in costume as a… Continue reading

Why Not?: On Punk and Pedagogy

Not long before the Primitives changed their name to the Velvet Underground, the band’s singer, Lou Reed, wrote to his Syracuse University professor, poet Delmore Schwartz, I decided that I’m very very good and could be a good writer if i work and work. i know thats what ive got to… Continue reading

Putting Lux in the Darkness: Remembering Poet and Professor Thomas Lux

Editor’s Note: When I first had the idea to teach an English 1102 course about the The New Yorker magazine, I had hoped that Thomas Lux, who has published five poems in the magazine, would come speak to my students. Vijay Seshadri, former editor at The New Yorker and frequent contributor to the… Continue reading

The Doubleplusgoodspeak of Newspeak: Poetry and Orwell’s 1984

Two days after President Trump’s inauguration, on January 22, 2017, the newly-minted Counselor to the President Kellyanne Conway appeared on NBC’s Meet the Press with Chuck Todd. She discussed White House Press Secretary Sean Spicer’s first press briefing the night before, in which he claimed, despite the existence of much… Continue reading

“Should I Go to Work?”: On Participating in A Day Without Women

On the morning of March 8, 2017, I, like many women around the country (and perhaps the world) faced a particular question: should I go to work? On this particular day, the question was triggered by International Women’s Day and its attendant call for a women’s strike. Named “A Day… Continue reading

A Thousand Hamlets

By Sarah Higinbotham, Fan Geng, and Dun Cao What does Shakespeare offer aerospace engineering majors, who often take eighteen hours of computational science, physics, and biochemistry in a typical semester? How does Twelfth Night — Shakespeare’s comedy about the flexibility of language and love — contribute to Georgia Tech students’ analytical… Continue reading