Information Overload, or: How I Learned to Stop Worrying and Love Social Media

The longer I teach, the more aware I become of a growing ideological separation between myself and my students. It’s not that I’m morphing into an out-of-touch, elbow patch-wearing professor (OK, I do have elbow patches), but there is definitely a widening divide, and over time, I’ve come to realize… Continue reading

Why Not?: On Punk and Pedagogy

Not long before the Primitives changed their name to the Velvet Underground, the band’s singer, Lou Reed, wrote to his Syracuse University professor, poet Delmore Schwartz, I decided that I’m very very good and could be a good writer if i work and work. i know thats what ive got to… Continue reading

Teaching with Twitter: Social Media in the Composition Classroom

When I mention that I use Twitter in my first-year writing courses, I am often met with both intrigue and skepticism by students and faculty alike. If writing courses are supposed to be focused on nuanced thinking, careful research, and rhetorically sophisticated arguments, what can students possibly learn from writing… Continue reading

Bodies and Body Language: How Poetry Can Teach Us to Communicate

Bodies, a personal yet strangely distant subject matter for most students to discuss, provide a ripe lens through which to hone the skills that composition classrooms aim to foster. As mediums of communication, bodies afford us multiple ways to express ourselves: through gestures, facial expressions, vocal tone, and body language… Continue reading

The Doubleplusgoodspeak of Newspeak: Poetry and Orwell’s 1984

Two days after President Trump’s inauguration, on January 22, 2017, the newly-minted Counselor to the President Kellyanne Conway appeared on NBC’s Meet the Press with Chuck Todd. She discussed White House Press Secretary Sean Spicer’s first press briefing the night before, in which he claimed, despite the existence of much… Continue reading

Strategies for Teaching Non-Native English Speakers: A Roundtable Review

On March 30, 2017, the Writing and Communication Program’s World Englishes Committee hosted the faculty roundtable “Instructing Non-Native English Speakers: Practical Tools.” This event drew Georgia Tech teaching faculty and staff interested in sharing ideas and learning new strategies for better serving the needs of the diverse population of English… Continue reading

The Office Hour, Chapter 19: “April Is the Cruellest Month”

In honor of National Poetry Month, Brittain Fellow Jeff Fallis returns to the podcast to discuss what may be literature’s most ill-defined, misunderstood, and maligned genre. As recipients of 2016-2017 Poetry@Tech Pedagogy Grants, Jeff and I talk about some of the ways that we have integrated poetry into our composition classrooms,… Continue reading

Brittain Fellows Celebrate Teaching with Posters about Pedagogy

 On March 14, 2017, the Georgia Tech teaching community gathered for Celebrating Teaching Day, a demonstration of the innovative pedagogies that feature in courses across Tech, put on by the Center for Teaching and Learning. The inventive work of Brittain Fellows was on prominent display during the day’s events via a series… Continue reading

Collision Course: Using Visual Art and Poetry as Composition Pedagogy

Last fall, I led students through a writing and communication course titled “One World is Not Enough.” This class investigated cultural values and ideologies as exhibited in the narratives that societies construct and consume. The course focused on two contemporary novels, Stephen Graham Jones’s Ledfeather and Haruki Murakami’s Kafka on… Continue reading

The Censorship Files: Using Digital Media to Teach Censored Media

When teaching the art of research writing, I aim to help my students learn the tools of the communication trade through assignments that challenge them to see the world with more conscientious eyes. I strive to help my students recognize not only that the forms of their words matter but that… Continue reading