Kathleen Schaag
Katie Schaag is a Marion L. Brittain Postdoctoral Fellow at Georgia Tech. She recently launched a feminist erasure poetry platform, The Infinite Woman. Her research theorizes minoritarian avant-garde conceptual theatre, digital poetics, and plastic’s queer materiality. Her scholarly writing is published in Performance Research, Modern Drama, and Inter Views in Performance Philosophy; her public multimedia essays appear in Edge Effects and Yes Femmes; and her poems and plays appear in Datableed, Imagined Theatres, and elsewhere. For more info, visit her website, katieschaag.com.

7 Brittain Fellows Reflect on Antiracist Pedagogy

A memorial mural for reonna Taylor, Trayvon Martin, George Floyd.

In response to the protests for racial justice during the summer of 2020, we here at TECHStyle discussed steps we could take to promote antiracism and antiracist pedagogy in higher education. As we noted in our call for submissions from August, “Black people have experienced systemic racism for as long as… Continue reading

Transdisciplinary Collaboration: An Interview with a Computer Science Junior Design Team, Part III

Introduction   The Infinite Woman is an interactive poetry platform that computationally performs contemporary poetic techniques of remix and erasure. As a feminist critique and artistic intervention, it remixes excerpts from Edison Marshall’s novel The Infinite Woman (1950) and Simone de Beauvoir’s book The Second Sex (1949). An n-gram algorithm… Continue reading

Feminist Computational Poetics and Experimental User Interface Design: An Interview with a Computer Science Junior Design Team, Part II

Introduction   The Infinite Woman is an interactive poetry platform that computationally performs contemporary poetic techniques of remix and erasure. As a feminist critique and artistic intervention, it remixes excerpts from Edison Marshall’s novel The Infinite Woman (1950) and Simone de Beauvoir’s book The Second Sex (1949). An n-gram algorithm… Continue reading

Creative Coding: An Interview with a Computer Science Junior Design Team, Part I

Introduction The Infinite Woman is an interactive poetry platform that computationally performs contemporary poetic techniques of remix and erasure. As a feminist critique and artistic intervention, it remixes excerpts from Edison Marshall’s novel The Infinite Woman (1950) and Simone de Beauvoir’s book The Second Sex (1949). An n-gram algorithm procedurally… Continue reading

TECHStyle 2020-21 Call for Proposals: #BLM & Teaching During a Pandemic

Black Lives Matter protest

The editors of TECHStyle (TS) invite multimodal articles and reflections from teachers and scholars during the 2020-21 academic year. TS is one of the public wings of the Writing and Communication Program (WCP) and exists to provide a public humanities platform for scholars and their thoughts on academic research and… Continue reading