The Naugle Communication Center: Promoting Equity and Process Pedagogy Within and Beyond the Writing Classroom

By: Dr. Courtney Mullis   As a graduate teaching fellow during my Ph.D. program, I had the luxury of teaching just one first-year writing course each semester. Each course had a maximum enrollment of 22 students. So, unsurprisingly, my first semester teaching 3 sections of ENGL 1102 with 25 students… Continue reading

Why So Toxic? Teaching Feminist Ethnographic Methods in the Composition Classroom

By Shane Snyder Introduction: A Glaring Omission  Two months into my Fall 2020 composition course, “Possibility Spaces and Rhetoric in Video Games,” I realized something was wrong. Within sixteen weeks, I had scheduled only one lesson on the LGBTQ+ video game narratives Gone Home and Dys4ia, two discussions about predatory corporate capitalism and environmental destruction in The McDonald’s Videogame, and one week on violence and nationalism in Undertale. Most… Continue reading

7 Brittain Fellows Reflect on Antiracist Pedagogy

A memorial mural for reonna Taylor, Trayvon Martin, George Floyd.

In response to the protests for racial justice during the summer of 2020, we here at TECHStyle discussed steps we could take to promote antiracism and antiracist pedagogy in higher education. As we noted in our call for submissions from August, “Black people have experienced systemic racism for as long as… Continue reading

Transdisciplinary Collaboration: An Interview with a Computer Science Junior Design Team, Part III

Introduction   The Infinite Woman is an interactive poetry platform that computationally performs contemporary poetic techniques of remix and erasure. As a feminist critique and artistic intervention, it remixes excerpts from Edison Marshall’s novel The Infinite Woman (1950) and Simone de Beauvoir’s book The Second Sex (1949). An n-gram algorithm… Continue reading

Feminist Computational Poetics and Experimental User Interface Design: An Interview with a Computer Science Junior Design Team, Part II

Introduction   The Infinite Woman is an interactive poetry platform that computationally performs contemporary poetic techniques of remix and erasure. As a feminist critique and artistic intervention, it remixes excerpts from Edison Marshall’s novel The Infinite Woman (1950) and Simone de Beauvoir’s book The Second Sex (1949). An n-gram algorithm… Continue reading

Creative Coding: An Interview with a Computer Science Junior Design Team, Part I

Introduction The Infinite Woman is an interactive poetry platform that computationally performs contemporary poetic techniques of remix and erasure. As a feminist critique and artistic intervention, it remixes excerpts from Edison Marshall’s novel The Infinite Woman (1950) and Simone de Beauvoir’s book The Second Sex (1949). An n-gram algorithm procedurally… Continue reading

A Thousand Hamlets

By Sarah Higinbotham, Fan Geng, and Dun Cao What does Shakespeare offer aerospace engineering majors, who often take eighteen hours of computational science, physics, and biochemistry in a typical semester? How does Twelfth Night—Shakespeare’s comedy about the flexibility of language and love—contribute to Georgia Tech students’ analytical skills? And how… Continue reading