Teaching in All Seasons: Poetics, Ideal Tendencies, and Food Literacy

In November 2020, the Georgia Tech community experienced a tragic loss: the passing of Dr. Darcy Mullen, a Marion L. Brittain Postdoctoral Fellow and a faculty member in the Writing and Communication Program. Darcy was a scholar, teacher, writer, musician, colleague, and friend to many of us; we miss her… Continue reading

Transdisciplinary Collaboration: An Interview with a Computer Science Junior Design Team, Part III

Introduction   The Infinite Woman is an interactive poetry platform that computationally performs contemporary poetic techniques of remix and erasure. As a feminist critique and artistic intervention, it remixes excerpts from Edison Marshall’s novel The Infinite Woman (1950) and Simone de Beauvoir’s book The Second Sex (1949). An n-gram algorithm… Continue reading

Feminist Computational Poetics and Experimental User Interface Design: An Interview with a Computer Science Junior Design Team, Part II

Introduction   The Infinite Woman is an interactive poetry platform that computationally performs contemporary poetic techniques of remix and erasure. As a feminist critique and artistic intervention, it remixes excerpts from Edison Marshall’s novel The Infinite Woman (1950) and Simone de Beauvoir’s book The Second Sex (1949). An n-gram algorithm… Continue reading

Creative Coding: An Interview with a Computer Science Junior Design Team, Part I

Introduction The Infinite Woman is an interactive poetry platform that computationally performs contemporary poetic techniques of remix and erasure. As a feminist critique and artistic intervention, it remixes excerpts from Edison Marshall’s novel The Infinite Woman (1950) and Simone de Beauvoir’s book The Second Sex (1949). An n-gram algorithm procedurally… Continue reading

Nine Questions on Identity, Multimodality, and Poetry with Caroline Dowell-Esquivel

This article is supported by a 2020 Poetry@Tech Pedagogy Grant. In my introductory writing and communication course “On Becoming a Writer,” students read Alexander Chee’s 2018 essay “The Autobiography of My Novel.” The central concept of the essay is what Chee calls a “prosthetic voice.” Unable to write the autobiographical… Continue reading

(Re)designing the Instructional Artifact: The Poetry Machine Project

In the 2017-18 academic year I executed a lively experiment integrating poetry into LMC 3403, a traditional technical communication course at Georgia Tech as the direct result of receiving a Poetry@Tech pedagogy development grant. Technical communication is defined by Elizabeth Tebeaux and Sam Dragga as writing “that occurs in a… Continue reading

How Poetry Saved My Pedagogy

Most of my students did not like poetry. I don’t remember what prompted the realization—probably something banal like analyzing a poem by Dickinson, Keats, or Frost—but I remember the crushing sensation of disappointment and dismay, even despair, that settled over me. Many of them actively disliked it, a few of… Continue reading

Things To Do in Wivenhoe; Or, So Going Around “The Basketball Diaries”: A New York School Travelogue

“Wake up high up / frame bent & turned on,” begins Ted Berrigan’s iconic “Things to Do in New York (City),” a lyric list poem that shows Berrigan moving through the literary landscape of the city in timeless style. Berrigan was fond of this genre, also writing poems like “Things… Continue reading

Teaching in All Seasons: Poetics, Ideal Tendencies, and Food Literacy

SUMMER   “Once I remember looking into the freezer can the next morning and finding the leftover ice cream had all returned to milk. It was like the disappearance of Cinderella’s new clothes.” (Lewis 53) Midway through my Spring composition course, “Food Literacy of Atlanta,” my students and I had… Continue reading