Teaching with Twitter: Social Media in the Composition Classroom

When I mention that I use Twitter in my first-year writing courses, I am often met with both intrigue and skepticism by students and faculty alike. If writing courses are supposed to be focused on nuanced thinking, careful research, and rhetorically sophisticated arguments, what can students possibly learn from writing… Continue reading

Bodies and Body Language: How Poetry Can Teach Us to Communicate

Bodies, a personal yet strangely distant subject matter for most students to discuss, provide a ripe lens through which to hone the skills that composition classrooms aim to foster. As mediums of communication, bodies afford us multiple ways to express ourselves: through gestures, facial expressions, vocal tone, and body language… Continue reading

The Doubleplusgoodspeak of Newspeak: Poetry and Orwell’s 1984

Two days after President Trump’s inauguration, on January 22, 2017, the newly-minted Counselor to the President Kellyanne Conway appeared on NBC’s Meet the Press with Chuck Todd. She discussed White House Press Secretary Sean Spicer’s first press briefing the night before, in which he claimed, despite the existence of much… Continue reading

Strategies for Teaching Non-Native English Speakers: A Roundtable Review

On March 30, 2017, the Writing and Communication Program’s World Englishes Committee hosted the faculty roundtable “Instructing Non-Native English Speakers: Practical Tools.” This event drew Georgia Tech teaching faculty and staff interested in sharing ideas and learning new strategies for better serving the needs of the diverse population of English… Continue reading

The Office Hour, Chapter 19: “April Is the Cruellest Month”

In honor of National Poetry Month, Brittain Fellow Jeff Fallis returns to the podcast to discuss what may be literature’s most ill-defined, misunderstood, and maligned genre. As recipients of 2016-2017 Poetry@Tech Pedagogy Grants, Jeff and I talk about some of the ways that we have integrated poetry into our composition classrooms,… Continue reading

Brittain Fellows Celebrate Teaching with Posters about Pedagogy

 On March 14, 2017, the Georgia Tech teaching community gathered for Celebrating Teaching Day, a demonstration of the innovative pedagogies that feature in courses across Tech, put on by the Center for Teaching and Learning. The inventive work of Brittain Fellows was on prominent display during the day’s events via a series… Continue reading

Collision Course: Using Visual Art and Poetry as Composition Pedagogy

Last fall, I led students through a writing and communication course titled “One World is Not Enough.” This class investigated cultural values and ideologies as exhibited in the narratives that societies construct and consume. The course focused on two contemporary novels, Stephen Graham Jones’s Ledfeather and Haruki Murakami’s Kafka on… Continue reading

The Censorship Files: Using Digital Media to Teach Censored Media

When teaching the art of research writing, I aim to help my students learn the tools of the communication trade through assignments that challenge them to see the world with more conscientious eyes. I strive to help my students recognize not only that the forms of their words matter but that… Continue reading

From Print Culture to Digital Archive: Teaching Modernism through Little Magazines

Modernism, they say, began in the magazines. Long before internet streaming and wireless television, newspapers and periodicals were the first mass media, offering authors, intellectuals, and social activists a dramatically wider domain for their artwork and ideals. These print media provided a vital outlet—and at times a much-needed sanctuary—for modernist… Continue reading

Brittain Fellow Posters from Celebrating Teaching Day 2016

  On Tuesday, March 15, a number of Brittain Fellows and Writing and Communication Program Lecturers showcased their work at Georgia Tech’s Celebrating Teaching Day celebration. Brittain Fellows and Lecturers use a wide range of multimodal activities and assignments in their classes, as their posters demonstrate. The posters can be viewed… Continue reading

Mapping Burroughs’s Junky

While Jack Kerouac’s On the Road (1957) is usually remembered as the quintessential American road novel, the slightly earlier debut novel of Kerouac’s friend and fellow Beat William S. Burroughs, Junky (1953), is equally expansive in its exploration of the North American continent. Kerouac’s roman à clef—first mapped by the… Continue reading

H. Rider Haggard’s Adventure Novel and Multimodal Composition

One of the challenges of teaching literature in a multimodal communication course is to keep students focused on the task at hand—becoming effective communicators—while also teaching the literary work as an artifact with all its history, cultural significance, and metaphorical complexities.  While I think nearly any cultural artifact from an… Continue reading

Archiving Other Worlds: Science Fiction Magazines as Multimodal Artifacts

When first designing my English 1102 course, Multimodal Mars, I wanted to integrate the Georgia Tech Science Fiction Collection, which contains a large number of magazines such as Planet Stories, The Magazine of Fantasy and Science Fiction, and Astounding Stories (among others). My reason for this was twofold: I felt that students would better… Continue reading

Attaining the Text?: Teaching Annotated Video Essays in the Multimodal Classroom

Writing in 1975, the French film theorist Raymond Bellour characterized film analysis as a writing activity “carr[ied] out in fear and trembling, threatened continually with dispossession of the object” (19). Much of this owed to the technological limitations that then made it all but impossible for critics and scholars (save the… Continue reading

“There is No Delight and No Mathematics”: Teaching the Multimodal Avant-garde

Before coming to Georgia Tech, my approach to teaching writing and communication through fictional work could be summed up like this: students will learn how to analyze novels and short stories and then write arguments explaining their analysis. They will support those arguments by close reading passages and quoting academic… Continue reading